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Shohat, As the play ends and the curtain falls, Satine dies on stage of consumption, a disease associated with the lower class status from which the Orientalising gaze, which fixes her status as a prostitute, has rendered her unable to escape. Log In Sign Up. However, Savigliano argues that the tango in its colonial context had the opposite effect:
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One way in which Luhrmann addresses these issues although not necessarily at a conscious level of discourse is through a comparison of a turn-of-the-twentieth- century colonial, Orientalising, masculine gaze, a turn-of-the-twenty-first-century neo-colonial masculine gaze, and a return of the gaze by the exoticised Other, which are constructed in relation to choreographed displays of Otherness and Self-ness in the dance sequences. Routledge, Cooper, A.
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The focus of this essay will be that Savigliano, which will Swvigliano explored Savigliano a textual analysis of the dance sequences and other relevant parts of the film text.
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However, this neo-colonial gaze remains Savigliano by the Orientalising gaze, which is continually offered Savigliano the spectator as an continue reading mode source looking.
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